Press reactions

Ran Jia’s Berlin debut with all Schubert sonatas in the prestigious chamber hall of the Berlin Philharmonie on four evenings in March 2017 raised high critical acclaim, praising her “high sound culture” (Berliner Morgenpost). The Tagesspiegel called her “the challenger” in comparison to the Schubert series of local hero Daniel Barenboim, which was taking place a little later in the city.
 

The Berlin Debut in March 2017

Berlin, 11th November 2016 – Berlin will see an unusual debut of a young pianist, Ran Jia. She will present all Schubert sonatas in a cycle in the Chamber Music Hall of the prestigous Philharmonie within 10 days in March 2017. Concerts on March 3, 9, 16 and 19. Tickets available here.

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Ran Jia speaking about Schubert

Berlin, 9th August 2016 – Ran Jia spoke with the editor of Germany’s leading piano magazine Carsten Dürer about her passion for Schubert and her upcoming projects. Watch it here: http://www.pianonews.de/index.php/service/video-interviews

from Zhongshan Daily, 15.12.2015

‘ ..Ran Jia has such sincerity towards music, her perfect technique together with a natual feeling of music presented us the peacefulness and fullness of the music. Her playing is accurate yet has a huge contrast, how marvelous!!..’ –Qidi Leng, Zhongshan Daily, 15.12.2015

from Beijing Youth Daily 8.12.2015

‘…Ran Jia has a beautiful stage presence, her sound is very attractive, especially in the slow movement of Beethoven concerto no.4, extremely intoxicating!’ –Tong Wang, Beijing Youth Daily 8.12.2015

 

Cleveland Classical Review

”…Chinese-born Ran Jia played Franz Schubert’s Sonata in c minor, Opus Posthumous, perhaps the most compact of the composer’s last three extended piano works. Her elegant touch brought out Schubert’s lyrical lines and elucidated his more complicated textures. Well-voiced pianissimos and fortes distinguished the slow movement, and confident, steady rhythms underlined the tricky cross-hand gestures in the concluding tarantella. Exuding poise at the keyboard, Ran Jia looked as though she were completely enjoying herself, frequently smiling at Schubert’s more engaging nuances…”   by Daniel Hathaway. October 5, 2015

concert review and interview from ”Music Lover” in China

”… If we admit that her Ravel conquered the listeners with a pure aesthetics and a powerful skill, then, her interpretation for Debussy’s Images and L’isle Joyeuse exposed a freedom and liberty of selfless and nature, that made the atmosphere of the concert hall magic and intoxicated.”

– Sun Yue, musicologist and critic from <Music Lover>  9.2015